Studio Care

The JBL BEYOND1 is designed for small-club and smart-home karaoke applications that demand signature JBL sound quality and comprehensive processing features in an affordable, easy-to-use package.

BEYOND series amplifiers deliver unforgettable karaoke experiences, thanks to signature JBL Entertainment effects including pitch shift, echo, reverb and EQ, with feedback protection and customizable presets. The series continues the tradition of excellence that’s made JBL the leading brand in karaoke systems, featuring top-grade components and materials and robust, efficient 180-watt, two-channel Class D amplification.

Systems look as great as they sound, with a sleek, stylish design and an illuminated JBL Entertainment logo that lets customers and venue owners showcase superior JBL sound quality.

The BEYOND1 provides exceptional karaoke sound at an affordable price point and is built to JBL’s uncompromising performance standards. It seamlessly matches a range of karaoke systems.

• Stereo Music Operation for DJ programmes.
• Facilitates connection and operation of two separate groups of speakers simultaneously on ‘Mono’ mode. Ideal for places of worship.
• Box Speaker/Driver Unit selector switch for each zone. Bass boost defeated at Driver Unit position for safer operation of driver units.
• Resettable circuit breaker for protection against overload and short circuit.
• Zone On/Off facility. Output levels of each Zone can be set independently to desired levels and the zones can be switched On/Off without disturbing the volume settings.
• Instant transfer to DC power (Car Battery) if AC power fails.
• Bar Graph Signal Display.

• Power Output	500W + 500W Max., 350W + 350W RMS at 10% THD, 300W + 300W RMS at 5% THD, 280W + 280W RMS at 2% THD
  Output Regulation	≤ 2 dB, no load to full load at 1kHz
  Input Channels	Mono 2 × 200mV/100kΩ, Stereo L/R 200mV/100kΩ, Line L/R 1V/50kΩ
  Frequency Response	50-15,000Hz ±3dB
  Signal to Noise Ratio	60dB
  Tone Controls	Bass: ±10dB at 100Hz, Treble: ±10dB at 10kHz
  Outputs	Line L/R 1V/1kΩ
  Speaker Outputs	4Ω, 8Ω, 70V& 100V for each zone
  Power Supply	AC: 220-240V 50/60 Hz DC: 36V (3×12V Car Battery)
  Power Consumption	AC: 1100VA DC: 13A
  Dimensions	W510 × H185 × D470 mm
  Weight	39.0kg

SPL MC16 16 Channel Mastering Monitor Controller Overview:

The MC16 is designed to monitor surround and immersive audio projects (Dolby Atmos, Auro 3D, etc…) in the analog domain, offering the same unrivalled quality as 120V stereo monitoring.

16 Speakers

Sixteen buttons are used to activate the corresponding loudspeakers.

The 16 inputs of Input 1 and Input 2 are routed directly to the outputs to ensures that an output routing of a DAW session always matches the routing in the MC16.

The buttons allow you to insert a label with the exact name of the loudspeaker.

2 x 16
MC16 offers two 16-channel inputs to quickly compare a current project with a reference production.

Monitor Level
This analog potentiometer is used to adjust the monitor level. We developed a 16-level potentiometer, with which we could realize the volume control in the analog domain, because we did not want to accept a digital control, which is afflicted with resolution deficits and limited dynamic range.

Presets
You can save speaker setups to three memory locations. So you can quickly call up a 5.1 or an 11.1 or a 9.1.6 configuration.

In solo mode, three more memory locations are available with the same keys. For example, you can create solo groups for all front speakers and all ceiling speakers and all rear speakers.

Specifications:

Analog inputs & output; XLR & DB25 (balanced)

• Maximum input & output gain: 32.5 dBu
• Input impedance: 20 kΩ
• Output impedance: 75 Ω
• Common mode rejection: -82 dBu
• Frequency range (-3 dB): 4 Hz – 300 kHz
• Crosstalk (1 kHz): -100 dBu
• THD + N (+24 dBu): > 112 dB
• Noise (A-weighted): -102.4 dB

Internal Linear Power Supply with Shielded Toroidal Transformer

• Operating voltage for analog audio: +/- 60 V
• Operating voltage for relays and LEDs: + 12 V

Mains Power Supply

• Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz
• Fuse for 230 V: T 1 A
• Fuse for 115 V: T 2 A
• Power consumption: max. 70 VA

Dimensions & Weight

• W x H x D (width x height x depth):
  • 482 x 88 x 300 mm
  • 19 x 3.46 x 11.8 inch
• Unit weight
  • 8.4 kg
  • 18.52 lbs
• Shipping weight (incl. packaging)
  • 11 kg
  • 24.25 lbs

• Ahuja SSA-10000 is highly reliable 1000 watts PA Amplifier. This is designed to give high power clean sound and trouble free operation under extreme climatic conditions.
• 8 Mic & 4 Aux Inputs.
• Aux-4 input is through RCA socket specially for connecting CD/DVD player.
• Preamplifier and Line Output for connecting to a Booster Amplifier and for recording the programme.
• Line Input for connecting the output from any external mixer or permitting SSA-10000 to be used as a Booster Power Amplifier.
• Resettable circuit breaker & MCB at back for protection against overload and short circuit.
• Instant transfer to DC power (Car Battery) if AC power fails.
• Box Speaker/Driver Unit selector switch. Bass boost defeated at Driver Unit position for safer operation of driver units.

• Power Output	1350W Max., 1000W RMS at 10% THD, 850W RMS at 5% THD, 800W RMS at 2% THD
  Output Regulation	≤ 2 dB, no load to full load at 1kHz
  Input Channels	8 × Mic 0.8mV/4.7kΩ, 3 × Aux 100mV/50 kΩ, 1 × Aux 250mV/50 kΩ, 1 × Line 1V/50kΩ
  Frequency Response	50-15,000Hz ±3dB
  Signal to Noise Ratio	60dB
  Tone Controls	Bass: ±10dB at 100Hz, Treble: ±10dB at 10kHz
  Outputs	Preamp 200mV/600Ω, Line 1V/1kΩ
  Speaker Outputs	2Ω, 4Ω, 70V & 100V
  Power Supply	AC: 220-240V 50/60Hz DC: 48V (4×12V Car Battery)
  Power Consumption	AC: 1600VA DC: 12A
  Dimensions	W540 × H185 × D510 mm
  Weight	42.0kg

The XLI Series of power amplifiers from Crown® represents a new era in affordable, quality power amplification. All four models in the series are powerful, rugged and reliable. They are suited for musicians, DJs, and entertainers as well as houses of worship, discos, and pubs.

The four models in the series are the XLi800, XLi1500, XLi2500 and XLi3500. They are identical except for output power.

Features include RCA and XLR inputs, user selectable input sensitivity of 0.755V or 1.4V, Speakon® and binding post outputs, stereo/parallel/bridge-mono mode, power/fault/signal presence/clip indicators, forced-air cooling; and protection against shorts, no-load, on/off thumps and radio-frequency interference.

With over six decades of experience designing and building rock-solid products, Crown is the standard in amplifier technology. So check out the affordable Crown XLI Series. They are a powerful argument for quality and value!

1. 1. The Original Hitmaker

      The WA-87 R2 is an authentic reproduction of a truly iconic mic from the late-60s that is widely considered to be one of the greatest studio mics ever designed. Original 87s boast an artist roster that spans Paul McCartney & David Bowie all the way to Calvin Harris & Ed Sheeran.

   2. Legendary Sound For Vocals And Beyond

      Like the original, the WA-87 R2 delivers noticeably smooth bass and mids while adding the pristine top end that engineers have chased for decades. The signature 7-10kHz bump adds a radio-friendly edge to lead vocals and any source that needs to stand out in a mix. Three polar patterns give you versatility for any application.

• Built-in MP3 player with USB reader and remote control.
• Bluetooth facility.
• Line Output for connecting to a Booster Amplifier.
• Cut and Boost type Bass & Treble controls.
• Instant transfer to DC Power (Car Battery) if AC power fails.

• Power Output	75W Max., 50W RMS at 10% THD, 45W RMS at 5% THD
  Output Regulation	≤ 2 dB, no load to full load at 1kHz
  Input Channels	3 × Mic 0.6mV/4.7kΩ, 1×Aux 100mV/330kΩ
  Frequency Response	50-15,000Hz ±3dB
  Signal to Noise Ratio	55dB
  Tone Controls	Bass: ±10dB at 100Hz, Treble: ±10dB at 10kHz, Line: 400mV/3.5kΩ
  Speaker Outputs	4Ω, 8Ω, 16Ω & 100V
  Digital Player	MP3 Player with USB, SD, MMC Card Reader & Bluetooth
  Power Supply	AC: 220-240V 50/60Hz, DC: 12-14V Car Battery)
  Power Consumption	AC: 90VA DC: 3.1A
  Dimensions	W305 × H120 × D305 mm
  Weight	6.20kg

• 5 Mic & 2 Aux Inputs.
• 60W+60W power output.
• Connecting two groups of speakers, preamplifier output, bass and treble controls, zone On/Off facility, AC/DC operation have been provided.
• TZA-1200 is suitable for small sized installations such as in places of worship where both external and internal speakers are required to be connected with different sound level settings.

• Power Output	90W + 90W Max., 60W + 60W RMS at 10% THD, 55W + 55W RMS at 5% THD, 50W + 50W RMS at 2% THD
  Output Regulation	≤ 2 dB, no load to full load at 1kHz
  Input Channels	5 × Mic 0.6mV/4.7kΩ, 1 × Aux 100mV/470 kΩ, 1 × Aux 200mV/250kΩ (RCA Jack)
  Frequency Response	70-15,000Hz ±3dB
  Signal to Noise Ratio	60dB
  Tone Controls	Bass: -10dB at 100Hz, Treble: -10dB at 10kHz
  Outputs	Preamp 200mV/600Ω
  Speaker Outputs	4Ω, 8Ω, 16Ω & 100V for each zone
  Power Supply	AC: 220-240V 50/60Hz DC: 12V (12V Car Battery)
  Power Consumption	AC: 250VA DC: 5A
  Dimensions	W400 × H130 × D290 mm
  Weight	10.1kg

• 4 Mic & 1 Aux Inputs.
• Built-in digital echo effect on Mic-4.
• Mic-3 is altenate to Aux through switch.
• Mic-1 & Mic-2 having LO-CUT facility.
• Preamplifier Output for connecting to a Booster Amplifier and for recording the programme.
• Cut type Bass & Treble controls.
• Instant transfer to DC power (Car Battery) if AC power fails.

• Power Output	110W Max., 80W RMS at 10% THD, 75W RMS at 5% THD, 60W RMS at 2% THD
  Output Regulation	≤ 2 dB, no load to full load at 1kHz
  Input Channels	4×Mic 0.65mV/4.7kΩ, 1 × Aux 100mV/470kΩ
  Frequency Response	65-15,000Hz ±3dB
  Signal to Noise Ratio	60dB
  Tone Controls	Bass: -10dB at 100Hz, Treble: -10dB at 10kHz
  Outputs	Preamp 200mV/600Ω
  Speaker Outputs	4Ω, 8Ω, 16Ω, 70V & 100V
  Power Supply	AC: 220-240V 50/60Hz, DC: 12V (12V Car Battery)
  Power Consumption	AC: 180VA DC: 3A
  Dimensions	W355 × H133 × D285 mm
  Weight	8.5kg

• 5 Mic & 2 Aux Inputs.
• Preamplifier Output for connecting to a Booster Amplifier and for recording the programme.
• Cut type Bass & Treble controls.
• Instant transfer to DC power (Car Battery) if AC power fails.

• Power Output	110W Max., 80W RMS at 10% THD, 75W RMS at 5% THD, 60W RMS at 2% THD
  Output Regulation	≤ 2 dB, no load to full load at 1kHz
  Input Channels	5 × Mic 0.65mV/4.7kΩ, 2 × Aux 100mV/470kΩ
  Frequency Response	65-15,000Hz ±3dB
  Signal to Noise Ratio	60dB
  Tone Controls	Bass: -10dB at 100Hz, Treble: -10dB at 10kHz
  Outputs	Preamp 200mV/600Ω
  Speaker Outputs	4Ω, 8Ω, 16Ω, 70V & 100V
  Power Supply	AC: 220-240V 50/60Hz DC: 12V (12V Car Battery)
  Power Consumption	AC: 180VA DC: 3A
  Dimensions	W355 × H133 × D285 mm
  Weight	8.5kg

• 1 Mic Input with volume control.
• Built-in MP3 player with AUX Input.
• Separate USB/AUX volume control.
• 12V Car Battery Operation.
• Two Tone Siren (Wailing & Yelping) with volume control.
• Recommended for use with Ahuja Mic MM-60M & Horn Speakers EHC-10/SUH-15.
• Complies in size with the DIN standard.
• Amplifier mounting bracket supplied alongwith.
• Ideal for Police Vehicles, Crowd Control, Ambulances, Publicity Vans, Electioneering etc.

• Power Output	30W Max., 20W RMS at 10% THD
  Input Channels	1 × Mic 5.0mV/4.7kΩ
  Digital Player	MP3 Player with USB & SD/MMC Card Reader Ø3.5mm AUX Input
  Frequency Response	250-10,000Hz ±3dB
  Signal to Noise Ratio	60dB
  Siren	Two Tones
  Speaker Outputs	4Ω / 20W; 8Ω / 12W
  Power Supply	12V DC (Car Battery)
  Dimensions	W178 × H52 × D157 mm
  Weight	1.10kg (with mounting clamp)

• 3 Mic & 1 Aux Input.
• Cut type Tone control.
• 3 POWER SOURCE Amplifier: AC mains, 12V DC (Car Battery) and 12V DC Dry Cell (Two Banks of 8×1.5V UM-1 cell each).
• Extremely portable and ideal for use in remote places without electricity.
• Battery saver switch for long battery life and red LED for low battery indication.

• Power Output	35W RMS Max., 25W RMS at 10% THD,
  Input Channels	3 × Mic 1.0mV/10kΩ, 1 × Aux 50mV/250kΩ
  Frequency Response	150-10,000Hz ±3dB
  Signal to Noise Ratio	60dB
  Tone Controls	-15dB at 10kHz
  Speaker Outputs	4Ω, 8Ω & 16Ω
  Power Supply	AC: 220-240V 50/60Hz, DC: 12V (Car Battery), DC: 12V (Dry Cells 8 × UM-1 Two Bank)
  Power Consumption	AC: 80VA DC: 1.2A
  Dimensions	W250 × H115 × D270 mm
  Weight	4.3kg

1. Tape-Era Tube Warmth

   The WA-MPX & WA-2MPX are authentic reproductions of the most revered microphone tube preamps that pioneered the birth of rock ‘n’ roll & radio-ready hits. During the golden era of tape recording, the original 351-style tube preamps were the kings of studio tech delivering pure analog warmth; the signature sound in the signal chain of hit recordings for artists including Elvis Presley, Bing Crosby, Les Paul, Nat King Cole, and Roy Orbison.

2. An Authentic Vintage Experience

   The WA-MPX preamps deliver the same sonic signature as their vintage inspiration, imparting high-headroom analog warmth that goes from ultra clean to rude and saturated. Each channel boasts a handwired circuit containing custom CineMag transformers and three tubes that, with the high-gain switch engaged, bring the WA-MPX up to an incredible 90dB of gain. The WA-MPX not only delivers the sound of a legendary tape-era tube preamp but one of the best values in an all-tube mic preamp on the market today.

1. Timeless Compression With A Vintage Voice

   The WA76-A/A2 faithfully recreates one of the fastest and most powerful studio compressors of all time known for ultra-responsive dynamic control with true analog grit, now with additional modern recording features. Known for use on vocals, drums, guitar, bass, and anything in the studio requiring tight dynamics, the vintage “Blue Stripe” 76 compressors are known for their versatility, speed, and harmonic analog tonality added to recordings. Just like the originals, the WA76-A and A2 deliver that classic performance that can be heard on legendary recordings by artists like Led Zeppelin, The Beatles, Chris Stapleton, Chris Lord-Alge and many more.

2. True-to-Spec, Plus Bonus Modern Add-Ons

   Using premium and custom components like built-to-vintage-spec O-12 (input) and 5002 (output) transformers from CineMag, WA76-A/A2 achieves authentic “Blue Stripe” compression, known for fast compression while adding more harmonic distortion for unmistakable analog character. Easily the most feature-rich 76-style compressor on the market, WA76-A/A2 has added a dry/wet knob for parallel compression, two versions of active bypass for imparting analog color, and selectable input impedance to work with modern recording interface outputs. The single-channel WA76-A has additional sidechain flexibility allowing either key inputs to be inserted or EQs for de-essing, as well as stereo linking. The stereo model (WA76-A2) has multiple stereo operating modes that transform the compressor from a stereo unit, dual-mono unit, and lead:follow compressor with the A channel controlling the B channel.

1. The Timeless Sound Of Tight Compression

   The WA76-D/D2 faithfully recreates one of the fastest and most powerful studio compressors of all time known for ultra-responsive dynamic control with rich analog tone, now with additional modern recording features. Known for use on vocals, drums, guitar, bass, and anything in the studio requiring tight dynamics, the vintage “Rev D-Style” 76 compressors are known for their versatility, speed, and harmonic analog tone added to recordings. Just like the originals, the WA76-D and D2 deliver that classic performance that can be heard on legendary recordings by artists like Missy Elliott, Daft Punk, Timbaland, Rick Rubin, Chris Lord-Alge and many more.

2. True-to-Spec, Plus Bonus Modern Add-Ons

   Using premium and custom components like built-to-vintage-spec O-12 (input) and 5002 (output) transformers from CineMag, WA76-D/D2 achieves authentic “Revision D” compression, known for having a “lower noise” preamp stage with the ability to both compress transparently and also impart unmistakably analog character. Easily the most feature-rich 76-style compressor on the market, WA76-D/D2 has added a dry/wet knob for parallel compression, two versions of active bypass for imparting analog color, and selectable input impedance to work with modern recording interface outputs. The single-channel WA76-D has additional sidechain flexibility allowing either key inputs to be inserted or EQs for de-essing, as well as stereo linking. The stereo model (WA76-D2) has multiple stereo operating modes that transform the compressor from a stereo unit, dual-mono unit, and lead:follow compressor with the A channel controlling the B channel.

Phonos is a preamplifier for record players using either moving magnet (MM) or moving coil (MC) cartridges. The equalization curve is according to RIAA and suitable for all vinyl records since 1954. The RIAA filter is designed after Douglas Self. With up to 71.5 dB gain for MC cartridges and 50 dB gain for MM cartridges Phonos belongs to the most powerful phono preamplifiers. The preamplification is switchable and offers three values for MM and MC. The Normal gain is +46 dB (MM) and +67 (MC). In the -10dB position the Phonos produces enough output level for standard consumer electronics products operating on -10dBV. In the +4dB position the output is equally loud as modern DA converters at 0dBfs = +15dBu. Rumble from the playback turntable's drive mechanism is amplified by the low frequency boost that occurs on playback. The Phonos offers a switchable Subsonic filter to eliminate the rumble.

very so often an iconic piece of hardware takes the music industry by storm and transforms into a beloved fixture in studios worldwide. The 1073 was one such piece of gear. A mic preamp with a unique voice and rich sound, it became famous for shaping the sounds of many music generations, from the grit of ‘70s rock and roll, to the polished pop of the ‘80s. It was a staple in renowned studios like Abbey Road, Sound City, and Capitol Studios and influenced iconic tracks like Led Zeppelin’s “When the Levee Breaks” as well as The Who’s “Who’s Next.”

Today, we pay homage to that iconic studio cornerstone with the Behringer 1273, a two-channel microphone preamplifier, with built in EQ. The 1273 is more than just a remake. Developed with one of the original engineers, their valuable knowledge and experience ensures that the 1273 not only remains faithful to the original but is able to meet the demands of modern production.